
The first shrine to the Goddess Artemis was probably built around 800 B.C. on
a marshy strip near the river at Ephesus. The Ephesus Goddess Artemis, sometimes
called Diana, is not the same figure as the Artemis worshiped in Greece. The
Greek Artemis is the goddess of the hunt. The Ephesus Artemis was a goddess of
fertility and was often pictured as draped with eggs, or multiple breasts,
symbols of fertility, from her waist to her shoulders.
That earliest temple contained a sacred stone, probably a meteorite, that had
"fallen from Jupiter." The shrine was destroyed and rebuilt several times over
the next few hundred years. By 600 B.C., the city of Ephesus had become a major
port of trade and an architect named Chersiphron was engaged to build a new
large temple. He designed it with high stone columns. Concerned that carts
carrying the columns might get mired in the swampy ground around the site,
Chersiphron laid the columns on their sides and had them rolled to where they
would be erected.
This temple didn't last long. In 550 B.C. King Croesus of Lydia conquered
Ephesus and the other Greek cities of Asia Minor. During the fighting, the
temple was destroyed. Croesus proved himself a gracious winner, though, by
contributing generously to the building of a new temple. This was next to the
last of the great temples to Artemis in Ephesus and it dwarfed those that had
come before. The architect is thought to be a man named Theodorus. Theodorus's
temple was 300 feet in length and 150 feet wide with an area four times the size
of the temple before it. More than one hundred stone columns supported a massive
roof. The new temple was the pride of Ephesus until 356 B.C. when a tragedy, by
name of Herostratus, struck. Herostratus was a young Ephesian who would stop at
no cost to have his name go down in history. He managed this by burning the
temple to the ground. The citizens of Ephesus were so appalled at this act they
issued a decree that anyone who spoke of Herostratus would be put to death.
Shortly after this horrible deed, a new temple was commissioned. The architect
was Scopas of Paros, one of the most famous sculptors of his day. Ephesus was
one of the greatest cities in Asia Minor at this point and no expense was spared
in the construction. According to Pliny the Elder, a Roman historian, the temple
was a "wonderful monument of Grecian magnificence, and one that merits our
genuine admiration." The temple was built in the same marshy place as before. To
prepare the ground, Pliny recorded that "layers of trodden charcoal were placed
beneath, with fleeces covered with wool upon the top of them."